Rooted in early dreams of theatre and set design, this bi-continental designer’s practice bridges architecture, interiors, and product design with a distinctly human point of view. From a Brooklyn brownstone studio to projects shaped by European training, their work is guided by clarity, restraint, and a warm, approachable aesthetic. In this conversation, Uli reflects on mentorship, material exploration, sustainability, and the experiences that continue to inform a thoughtful, evolving practice.
(Image above: Uli Wagners portrait | Photography by Ezequiel De La Rosa)
Brownstone Office by Uli Wagner | Photography by Jonathan Hokklo
As a kid, what did you answer when asked, “What do you want to be when you grow up?”
I wanted to be a set designer, working in a painterly way and closely with theatres. As a child, I acted in theatre productions and even had my own marionette theatre, which I loved outfitting with puppets and scenery.
Which designer and/or piece of work inspires you? Why?
I currently find the artist Pedro Reyes, very inspirational. His sculptural vocabulary and inventiveness is just magnificent.
How would you describe your design philosophy?
“A warm and approachable aesthetic that feels inviting and human, balanced with a sense of restraint and coherence. The design should be clear, organized, and easily understandable, creating comfort through simplicity. •
Who are the three designers you follow on Instagram?
Konstantin Grcic
Faye Toogood
Vincent van Duysen
Residential Project at Kipsbay Towers by Uli Wagner | Photography by Jonathan Hokklo
Give us some context about where you live: How long you’ve been there and how does it influence your work?
I’ve been fortunate enough to fulfill my dream of creating an office space in a Brooklyn brownstone. My workspace is on the parlor floor, with my living area just above it. For me,this setup is not only convenient, it’s a lifestyle. I prefer not to draw a strict line between work and leisure, as my job and the constant search for new inspiration truly energize me.
Was there a moment when you realized you wanted to be a designer? If so, what was it?
I began studying architecture at a technical university in Germany. While enrolled there, I met some inspiring people from a local art school that offered product design classes. Intrigued by the scale of product design and the opportunity to work more hands-on, I decided to enroll there as well, in parallel with my architecture studies. I’ve never regretted having both disciplines in my academic background.
Which of your projects or products are you most proud? Why?
Having worked for the office of Shelton Mindel, I had been responsible for the development of 2 product lines for Waterworks. Opus and .25. As part of their general collection I sculpted and drew in 3D the .25 tub, that till today is still a bestseller for the firm and it is now over 20 years old. On the architectural side I still love the airy Showroom project we designed for AGNONA within a Matteo Thun building in Milan. It is now 10 years ago and still feels so fresh and contemporary.
25 Waterworks Tub by Uli Wagner for Shelton Mindel | Image courtesy of Waterworks
What are your favorite materials with which to work? Why?
I don’t really have a favorite material. My creative work in fashion retail at Peter Marino exposed me to so many! And I think there is beauty in any material if modeled and detailed according to the quality of the material. Using surprising/unusual juxtapositions of materials can be an exciting aspect in the design approach.
What piece of advice do you wish someone had given you at the start of your career?
Believe in Mentorship; try to learn first in internships and full-time engagements with the best in the field, that also have a good business sense and then, try sooner than later your own thing.
What is the most pressing issue in the interior design field today?
I believe our environment is the most pressing concern today. Design should at least acknowledge this reality, avoiding unnecessary waste in production and shipping, while still remaining sculptural, functional, and poetic. In doing so, it can truly enrich our lives.
Retail Project in Hong Kong for Chantecaille | Image courtesy of Chantecaille
What’s now? (What are you currently working on: A new project? Experimenting with new materials, techniques, or approaches? Learning about something?)
Alongside managing my full-service interior design firm and consulting for a range of retail clients, I’m now developing a residential furniture line and exploring various channels to bring it to market. There’s plenty to learn as I identify the right audience, but I’m genuinely enjoying the entire journey. Another goal surely is to use these intelligently produced furniture pieces in our residential projects.
What’s next? (What’s in your future: Are you anticipating an upcoming event? Going to start work on a project? Planning a trip? Working on a particular dream or goal?)
Since my office is set up bi-continental, I’m working to strengthen my foothold in Germany by connecting with new clients. It would be a dream to work with more Americans who are buying property in Germany, especially in Berlin, and support them with renovations. I’m also planning a long-awaited trip to Egypt in January to immerse myself in another culture. Of course, inspiration can be found anywhere.
What is your favorite movie? And your favorite band or/and song?
‘Interiors’ by Woody Allen, I like to watch dramas and furthermore, am impressed by the immaculate attention to detail and style.
If I had to choose a music artist, it would be Luther Vandross. And ‘Never too Much’
Visit Uli Wagners website through this link >>>
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