Hana Waxman

Hana Waxman, founder and principal of HWD, is a native Californian from the San Francisco Bay area. After completing an interior design degree in Southern California, Hana left the conventional life and established her own extraordinary world in Mexico.

Hana Waxman Design is an international full-service interior design studio based in Punta de Mita, Mexico servicing clients worldwide. Their work is stylistically diverse yet attuned to the unique needs and desires of their clients. Their goal is always to create timeless spaces—spaces that improve with age and offer an intuitive practicality.

When you were a kid, what did you dream of becoming? Did any of those childhood ambitions lead you to where you are today?
My grandparent’s house was a magical place where I developed a deep love for space and discovery. As a kid, I explored every corner—going through my grandmother’s closet, jewelry box, and enjoying their collection of treasures from their travels. It felt like a second home, a place of comfort, curiosity, and where my family gathered to create memories. I was free to explore, try on her clothes, and observe the layers of objects around me, which sparked a sense of wonder and mindfulness. Their home, filled with stories and artifacts, helped me connect with both the space itself and the deeper meaning behind the things within it, creating a profound connection to my surroundings.

Is there a particular designer, artwork, or design movement that deeply inspires you? How has it influenced your own style or philosophy?
When I travel, I enjoy visiting museums and galleries, where I wander and reflect on how others live their lives. The art and stories shared in these spaces inspire me, offering insights into different perspectives and experience, particularly the Mediterranean way of life.

I’m also inspired by the natural world—rivers, oceans, the night sky—and by the energy of my friends. In the design world, I draw inspiration from figures like Axel Vervoort, Gio Ponti, and Kelly Wearstler whose work resonates with my creative vision. I also find inspiration from. the curation of the Future Perfect and Blackman Cruz, both beautiful design store experiences.

How would you describe your design philosophy? Has it evolved over time, and if so, how?
My design philosophy revolves around the idea that good design should stand the test of time and remain relevant. I find myself drawn to natural, organic materials, particularly stone and wood, because of their enduring qualities and connection to the earth. These materials not only age beautifully but also carry a sense of history and craftsmanship that adds depth and authenticity to a space. My approach prioritizes simplicity, functionality, and a sense of permanence, creating environments that feel functional, comfortable, and beautiful.

Tell us a bit about where you live: How long have you been there, and how does your environment shape your creative process?
For the past 18 years, I’ve lived in a seaside village in Mexico, where I’m raising two boys and building my career. Mexico has been a constant source of inspiration, offering rich culture, nature, and an energy that fuels my creativity. I’m captivated by the diversity of the country—each place I visit feels like a new chapter in an ongoing love story of discovery. Mexico City, with its lush, bustling streets, vibrant noise, and amazing culinary scene is my escape from the beach. The blend of tradition and modernity, along with the warmth of the people, fills me with excitement and appreciation for the unique beauty that Mexico is. There is so much talent here.

In your opinion, what is the most significant challenge facing the design world today? How do you think designers should respond to it?
A challenge I have is with the throwaway culture, particularly with the massive amount of plastic waste from packaging materials. It’s disheartening to see how disposable items and excessive packaging contribute to environmental harm. Another issue is how easily designs are copied, often without proper acknowledgment of the original creators. Authenticity and respect for creative work should always be at the forefront, and it’s important to tweak and innovate rather than simply replicate. This approach will create a more sustainable, respectful, and genuinely creative design culture.

What are you currently working on? Are you exploring any new materials, techniques, or ideas that you’re excited about?I’ve been working in Pacific Coast Mexico for several years, where construction typically involves concrete walls, stone, and tropical hardwoods. Now, I’m currently working on a project in my native California, which is a refreshing change and a valuable learning experience. It’s fascinating for me to see the differences in construction methods, and I’m enjoying the process of finding skilled local tradespeople to collaborate with. I’m also looking forward to taking on a project in Mexico City.

Which designers do you love following on social media?
I love following EWE Studio, Manera Magazine, ATRA

To discover more, visit Hana Waxman Studio